For more on color grading, check out my tutorials about using Resolve for color correction and how to read the video scopes. It would be hard to argue that Resolve does not stand out here. Its color grading tools are second to none and it’s used in countless Hollywood productions. Color gradingĭaVinci Resolve started off as a color grading tool and it is still the leader in this field. The performance enhancements with GPU acceleration and features like noise reduction alone are worth it. Once you use itL you will soon end up purchasing the studio version anyway. The only real limitations of the free version are around the utilization of your GPU, the use of some advanced tools and effects as well as working with 10-bit footage and resolutions above 4K. It’s a no-brainer, and everything you learn on DaVinci Resolve will be transferable to any other NLE.
#Davinci resolve studio 17 cost for free#
You get a professional NLE for free with access to amazing tools. I can only imagine how useful this is to any budding filmmaker or editor starting out. It allowed me to see if the software would work for me and if the transition would be viable for my business. This means you can learn and test it extensively before you decide to make the move, which is what I did. Yes, it has limitations, but you can certainly get very far with just the free version. The best part is, it’s truly free and fully functional. The free version of DaVinci Resolve is one of its biggest drawcards. I’m only left with Lightroom and Photoshop now, which I still find essential for my photography work.
I now use it exclusively in my business, finally dropping the full CC subscription last year. I landed on DaVinci Resolve and have been using it since version 14. Later, with a fledgling video production business, I went in search of a more cost-effective alternative to the Adobe subscription model. I started editing on Pinnacle Studio many years ago, then Final Cut Express followed by Final Cut Pro 7 and with a move to PC came a move to Premiere Pro and more of the Adobe Suite. Here’s some background about my journey of change. Version 16 brought big changes and resulted in a very capable NLE that can offer everything Premiere Pro does, and then some. This is a question that many have pondered in recent times as DaVinci Resolve evolved since version 14.
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