Unfortunately, the italian dates were set at The show was also particular in some ways. The quality of this recording has nothing to do with today's digital technology, but you can still hear this is DAT. The only problem is that noone had a DAT to play the master, so we were forced to have cassette copies from the master. None of that with a DAT: 160+ minutes of un-interrupted music, no hiss, no tape flip.
#8BIT DRUMMER CREEP PLUS#
Plus copying a tape meant altering dramatically the quality of the copy tape. You must remember that it was still the time of tapes (and tapes flips when you did not calculate the duration of a song well enough!), analogue technology and a fair amount of hiss on recordings.
#8BIT DRUMMER CREEP PORTABLE#
I remember back at the end of the 80's this friend had acquired a portable DAT for his professional recording studio and it was small enough to be carried to tape shows. This is supposed to be one of the earliest live recordings using a DAT device. This is special for at least two reasons. Lineage: Sony DAT (unknown microphone) > 1st copy tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0 Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed! I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project.ġ.01 Young Person's Guide To The Orchestra (2.24)ġ.02 Time And A Word - Owner Of A Lonely Heart - Teakbois (7.47)ġ.06 Long Distance Runaround - Bill Bruford Solo (7.20) These are the ones I'd like to propose you. Out of my 6,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. After the Master Series, here is the Special Series.
#8BIT DRUMMER CREEP SERIES#
Hello! As mentioned, here is a new series from my collection. (re-encoded to Flac level 8 If Needed) tested for SBE's, and created new MD5/FFP files (via TLH)Īlso I would like to thank the taper and seeder ! This show captures ELO on their first major arena tour in support of the album A New World Record. Kelly Groucutt - bass guitar, backing vocalsġ07 - New World Rising/Ocean Breakup Repriseġ08 - Hugh McDowell's Cello Solo W/Flight Of The Bumble Bee(cut)Ģ04 - Mik Kaminski's Violin Solo/Orange Blossom SpecialĮxcellent sounding recording and JEMS master recording. Richard Tandy - keyboards, moog, mellotron Taping Gear: Sony TC-153SD(Dolby B), Advent Dynamic Mics Nakamichi outboard Dolby B Unit>Wavelab>wav24/96>wav16/44>Flac Lineage: Advent CRO2 Cassettes>Nakamichi 670 Playback deck> Make It Easy > Owner Of A Lonely Heartġ.01 Perpetual Change Intro - Cinema (3.29)Ģ.05 Make It Easy - Owner Of A Lonely Heart - Crowd (13.34) Transfer: SD card > wav file > Adobe Audition CC2015 > Normalize File > Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SBġ3. Source: Schoeps MK41 - Nbob Actives - Naiant Tinybox Transfo Out - Tascam DR-2d Line In (24-48) This is one of Zeppelin's best shows from early in the 1977 tour, if not the best.
All the cuts exist for two reasons: the taper was trying to save tape,Īnd the recording was done on 60 minute (30mins per side) cassettes. I did not do any fading out between cuts and tape changes, and no cuts were removed or cleaned up. I have not had the chance to do much comparison between these tapes and the bootleg releases. Originally mastered at 96kHz 24bit, sample conversion to CDĬompleted with ProTools utilizing highest quality pre and post filtering and 0.7bit dithering. "A Presence Production" mastered by Jason Peterson. Audience Recording > ANA(m) > Cassette (Paul C.) > Cassette > ProTools > FLAC
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